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Chain DLK

The debut solo album from microtonal tuba player and composer Martin Taxt, a duet with Inga Margrethe Aas on viola da gamba and double bass, sits in a middle ground between classical solo and drone. It’s melodic, but many of the notes are so long and so sustained that they start developing their own drone-line textures.

It’s a single 35-minute piece that layers up live and studio recordings, with a reactionary concept at the core where the performers respond to the previously recorded layers. Perhaps the most striking parts are the pauses- while some drone works deliberately avoid stopping for breath, this work has several points where the tone ebbs away into silence or near-silence before gradually returning for another, different wave. Exposing the creaking tones of studio furniture adds extra texture at the top.

Taxt recently finished a masters degree in Music & Architecture, and this work is described as a tribute to the Japanese tearoom and the tatami mat- but if anything it seems to describe slightly larger, emptier rooms, studio spaces, or some kind of geometric cave. It’s a lovely nuanced bit of work that brings character and a sense of storytelling with tones normally used in flatter, more open drones, and it does it all rather nicely.