Akiyama, Tetuzi

Asheim, Nils Henrik

Bailey, Derek

Balke, Jon

Berthling, Johan

Buene, Eivind

Charles, Xavier

Davies, Rhodri

Denley, Jim

Doneda, Michel

Duch, Michael Francis

Dörner, Axel

Endresen, Sidsel

Ensemble, Asymmetrical Music

Flaten, Ingebrigt

Grenager, Lene

Grydeland, Ivar

Guy, Barry

Haltli, Frode

Haugerud, Tor

Hug, Charlotte

Kaasbøll, Anita

Karlsson, Kenneth

Kluften, Tonny

Kornstad, Håkon

Lehn, Thomas

Lovens, Paul

Lønning, Eivind

Minton, Phil

Myhr, Kim

Nakamura, Toshimaru

Neumann, Andrea

Nilssen-Love, Paal

Nystrøm, Rolf Erik

O'Rourke, Jim

Oxley, Tony

Pichelin, Marc

Rabben, Bjørn

Ratkje, Maja

Reinertsen, Espen

Rombolá, Alessandra

Sandell, Sten

Stackenäs, David

Tanaka, Yumiko

Taxt, Martin

Tétreault, Martin

Thomas, Pat

Torvund, Øyvind

Veliotis, Nikos

Vågan, Petter

Wachsmann, Philipp

Wallumrød, Christian

Zach, Ingar

Jim Denley

Jim Denley (born 1957) is considered one of Australia’s foremost improvisers of new music with a career spanning over three decades. He started playing the flute at age 11, and later picked up the alto saxophone.

An emphasis on spontaneity, site-specific work and collaboration has been central to his work. He was recently awarded a Fellowship by the Australia Council and is currently working towards a paradigm shift in the notion and perception of the saxophone; to establish its relevance to ancient and current traditions in Australian music, and to extend its range with the addition of innovative electronics and miking.

Denley has worked extensively in Europe, Australia and America, notably with groups like Machine for Making Sense, Lines and MURAL, as well as duo projects with Axel Dörner, Clayton Thomas, Joel Stern, Peter Blamey and Kim Myhr.

Jim Denley also runs the record label Splitrec.

Jim appears on the following SOFA-releases