Akiyama, Tetuzi

Asheim, Nils Henrik

Bailey, Derek

Balke, Jon

Berthling, Johan

Buene, Eivind

Charles, Xavier

Davies, Rhodri

Denley, Jim

Doneda, Michel

Duch, Michael Francis

Dörner, Axel

Endresen, Sidsel

Ensemble, Asymmetrical Music

Flaten, Ingebrigt

Grenager, Lene

Grydeland, Ivar

Guy, Barry

Haltli, Frode

Haugerud, Tor

Hug, Charlotte

Kaasbøll, Anita

Karlsson, Kenneth

Kluften, Tonny

Kornstad, Håkon

Lehn, Thomas

Lovens, Paul

Lønning, Eivind

Minton, Phil

Myhr, Kim

Nakamura, Toshimaru

Neumann, Andrea

Nilssen-Love, Paal

Nystrøm, Rolf Erik

O'Rourke, Jim

Oxley, Tony

Pichelin, Marc

Rabben, Bjørn

Ratkje, Maja

Reinertsen, Espen

Rombolá, Alessandra

Sandell, Sten

Stackenäs, David

Tanaka, Yumiko

Taxt, Martin

Tétreault, Martin

Thomas, Pat

Torvund, Øyvind

Veliotis, Nikos

Vågan, Petter

Wachsmann, Philipp

Wallumrød, Christian

Zach, Ingar

Philipp Wachsmann

Born Uganda, 1944; violin, viola and electronics.

Phillip Wachsmann came to free improvisation from a predominantly classical
background, particularly via the contemporary experiments of "indeterminacy,
graphic and prose-based scores, conceptualism and electroacoustics, listening
to Webern, Partch, Ives, Berio and Varèse, reading 'Die Reihe' and interrogating
the rhythmic, harmonic and melodic preoccupations of Western art music. Starting
in 1969, Wachsmann was a member of Yggdrasil, an ensemble performing works by
Cage, Cardew, Feldman, Ashley and others and in this group he used contact mikes
on the violin and made his own electronic instruments, ring modulators and routing
devices. Ironically, his studies with Nadia Boulanger in Paris (1969-1970) pushed
him hard in the direction of free music. He recalls: 'Despite her neoclassical
orientation, her insistence that composition is about the imagination of performance
and its realisation, the live moment, and her stunning ability to make this
happen was a powerful influence on me, steering towards 'performance' and therefore
'improvisation'.'"

Wachsmann moved from Yggdrasil to Chamberpot - recorded on Bead 2 - and shortly
thereafter appeared on Tony Oxley's influential February papers, forward looking
in the virtual 'industrial' orientation of some of the tracks, years before
this became an accepted genre; the two musicians have continued to work together,
in various groupings but notably in the percussionist's Celebration Orchestra.
Phillip Wachsmann has also performed and/or recorded with: Derek Bailey's Company,
e.g. on the recording Epiphanies; Georg Graewe; Barry Guy; Iskra 1903; King
Übü Orchestrü; London Jazz Composers' Orchestra; Evan Parker,
particularly as part of the Evan Parker Electronic Project; Quintet Moderne;
Fred Van Hove's ML DD 4; Rüdiger Carl's COWWS (now CPWWS) Quintet; and
Lines, with Martin Blume, Jim Denley, Axel Dörner and Marcio Mattos. He
also plays as a solo musician.

Philipp appears on the following SOFA-releases